| Analog 
                Plug-insMany producers and engineers are using their Avalons during mix 
                down/mastering for equalization and compression rather than plug-ins.
 During the mixing or mastering process, send a track out of the 
                computer or hard disk recorder to an Avalon EQ and/or compressor. 
                Take the output from the Avalon and simply record a new track. 
                Some software programs offer an “insert” feature for 
                outboard gear .
 Michael James
 Producer and Mix Engineer for acts such as Jane’s Addiction, 
                Hole and AJ Croce relies on the Avalon AD2055 for every mix.
 “Whether I’m recording to analog tape or direct to 
                hard disk, I usually wind up mixing digitally using Pro Tools. 
                On every song I mix, I use the AD2055 on the main elements that 
                hold a song together - lead vocal, kick drum, snare, and bass. 
                The AD2055 is magical. I can be very economical with the amount 
                of cut or boost and it just seems to do the right thing. The highs 
                are smooth and lows are huge.”
 Michael 
                Mangini, two-time Grammy Award winner of Mojo Records 
                does the same thing. “I have three Pro Tools 882 interfaces 
                and use Logic software. I record most everything through my Vt-737sp’s” 
                says Michael, “then I run my most important tracks out of 
                my computer and through my two AD2055’s and four Vt-737sp’s 
                for EQ and compression/EQ. Plug-ins just don’t compare to 
                the Avalon sound and control.”
 |   Avalon 
                SecretsJohn Gass, lead engineer at Brandon’s Way (Babyface) has 
                recently purchased his ninth AD2055 equalizer for the studio. 
                He now has 18 channels of Avalon EQ. Brandon’s Way also 
                has five AD2044 compressors.
 
  
  Sear 
                Sound just purchased a second Sony MXP 3036 console and 
                is loading it with 24 channels of Avalon M3 microphone preamps 
                and E3 equalizer modules.  Rob 
                Jacobs, Mix Engineer for U2’s Rattle and Hum, as 
                well as many hit records is currently recording and mixing Alanis 
                Morrisette’s new album. Rob records vocal tracks with the 
                Avalon AD2022 and uses the AD2055 EQ. Bass guitar is recorded 
                directly through the U5. Motley 
                Crue just finished recording a new album and used the 
                Vt-737sp for overdubs on nearly every track including Nikki Sixx’s 
                bass guitar. Christina Aguilara is touring with two Vt-737sp’s and a 
                Vt-747sp.
 | 
           
            | Sony in Japan 
              recently purchased five AD2077 Mastering Equalizers to add to their 
              existing collection of five AD2077’s. Sony is is expanding 
              their current mastering facility by adding five new rooms all built 
              around the AD2077’s. | The U5 circulated through the offices at Bass Player Magazine 
                for a recent review. Five guys on the staff each bought a U5 because 
                once they had to give it back they couldn’t live without 
                it.
   | 
           
            | Avalon 
                Employee SpotlightEric Guerena
 
  | Title: Quality Control Technician
 Start Date: February 1999
 Born: San Clemente, California
 Job Description
 Brings freshly assembled Vt-737sp and Vt-747sp to life. Listens 
              to every single Vt-737sp and Vt-747sp we build. Calibrates and performs 
              quality control tests for all Avalon products.
 Interests:
 Bass Player for Stormy Seas (Local Band). Bass Rig: Fender ‘51 
              P-Bass Reissue, U5, GK800RB Amp and Ampeg 8x10 cabinet. Surfing 
              and motorcycle riding.
 What’s the best part of your job?
 “I get to work on and play with the best gear on earth.”
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